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Chris Pfaff moderates Streaming Media East Connect session, ‘Ad-Supported Streaming Takes Over?’ – May 19, 2021

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Chris Pfaff moderated the Streaming Media East Connect session ‘Ad-Supported Streaming Takes Over?’ on Wednesday, May 19, 2021, featuring some of the content and technology leaders in the Free Ad-Supported TV (FAST) space, including:

  • Damian Pelliccione, Co-Founder & Chief Executive Officer, Revry
  • Chris Yates, general manager, on-demand, Redbox
  • Nick Colsey, VP, Business Development, Sony Electronics
  • Srinivasan KA, Co-founder, Amagi
  • Philippe Guelton, EVP of Online Networks & President of Crackle Plus at Chicken Soup for the Soul Entertainment

You can watch the full panel at: https://www.youtube.com/watch?v=pmxMh1u8BQ0

 

Chris Pfaff (upper middle); Srinivasan KA (upper right); Philippe Guelton (middle left); Nick Colsey (middle middle); Chris Yates (bottom left), Damian Pelliccione (bottom right)

 

Chris Pfaff and Jerimiah Hamon in one-on-one fireside chat at TVOT LIVE! Spring 2021

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Jerimiah Hamon, chief scientist of Firstlight Media, one of the leading data science figures in the OTT industry, conducted a one-on-one fireside chat with Chris Pfaff – ‘Your Data or Your Gut?’ – at the TVOT Live! Spring 2021 edition on April 27, 2021. Hamon discussed his views on what data science brings to the business of building an effective and engaging OTT offering. How predictive analytics can deliver a superior experience.

 

You can watch the full panel at: https://youtu.be/STpbnjxNsVE

 

 

Chris Pfaff (left) and Jerimiah Hamon (right)

 

 

ABOUT ‘YOUR DATA OR YOUR GUT?’

Media and entertainment executives have a long history of “knowing” what sells, but nowadays are gut feelings enough of a foundation for a winning business strategy? As more and more choices vie for consumers’ attention and loyalty, can the content industry really leave subscribers’ viewing choices to chance?  Jerimiah Hamon, Chief Scientist at Firstlight Media, is a computational mathematician with a background in military intelligence, healthcare and medical research, and now consumer behavior and entertainment. He is expert at correlating and automating the links between stimuli and viewer responses to enable more precise targeting of video content. In this wide ranging conversation with  Chris Pfaff, CEO of Chris Pfaff Tech Media, Jerimiah will lift the veil that surrounds data science, explaining: the top misconceptions executives have about data; the pillars of a successful data strategy; and the advanced psychographics that are making data more accurate than ever.

Chris Pfaff moderates all-star panel at Media Meet & Greet Spring 2021: ‘OTT Platforms for All Sizes: Not All Content Wears the Same’

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Chris Pfaff produced and moderated a supersession at the Spring (NAB-themed) Media Meet & Greet event ‘OTT Platforms for All Sizes: Not All Content Wears the Same’ on April 22, 2021, presented by Broadband TV News, and sponsored by Amagi Corporation. Avner Ronen, from Samsung Electroics; Tony Huidor, from Cinedigm; Paul Edwards, from ViacomCBS’ Pluto TV, and Sriivasan KA, from Amagi, discussed the explosion of free ad-supported television (FAST) and the growth of niche content channels in this 42-minute session. Kudos to Janet Greco and the Dealroom team for a great event.

You can watch the full session at: https://dealroomarchivedsessions.s3-eu-west-1.amazonaws.com/46556092/269e189d-45f5-40f7-9c01-4470b75320e1/archive.mp4.

 

Paul Edwards, ViacomCBS’ Pluto TV: (upper left); Tony Huidor, Cinedigm (upper middle); Avner Ronen, Samsung Electronics (upper right); Srinivasan KA, Amagi (bottom left), Chris Pfaff, Chris Pfaff Tech Media LLC (bottom right)

Technodramatists delivers on virtual theatre promise with ‘AliBi’ on Zoom – February 6, 2021

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The virtual theatre universe was rocked on Saturday, February 6, 2021, when AliBi, Technodramatist’s “reality-bending livestream theater experience,” brought together an audience of more than 90 people on Zoom, while streaming live from the Gene Frankel Theatre in downtown Manhattan. The adaption of Tristen Tzara’s Dadaist play ‘Handkerchief of Clouds’ immersed the audience in a love triangle. A private investigator uses augmented reality, motion capture and voice recognition software to solve the homicide of one of the lovers, while suspects attept to dance their way out of trouble. The performance mixed live effects with live music and dance in a brilliant, original production. Created by Lorne Svarc, artistic director for Technodramatists, and directed by Brian Rardin, the show feature Grammy Award-winning experimental musician Johnny Butler with choregrapher duo AnA Collaborations. Butler stars with Alex Jenkins and Nick Anselmo and features Anne Bates as Alison Bi. Lead technologist Yashwanth Irragatappu, virtual and physical set designer Yichan Wang, lead designer Min Kawk and technical director Hy Braverman delivered a seamless live and virtual production. Long before any theatre productions returned to New York stages, Technodramatists made a mark on 2021 with ‘AliBi.’

Media Meet & Greet – A Virtual Holiday Hang for the Global Media Industry – December 17, 2020

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The European media community’s inaugural pre-holiday Meet & Greet event, held on December 17, 2020 on the Deal Room Events platform was a milestone for how networking events in 2021 should look: well-moderated discussion and connections between colleagues – many of whom have never met before – all in a robust virtual platform.

The event, produced by Janet Greco, leveraged Deal Room’s renowned networking features for connecting with individuals who fill out profiles in advance. With a proscribed time limit of 20 minutes per meeting – now conducted by video chat – the Deal Room platform has been successfully implemented by various event producers, most notably Arctic15, the leading Nordic venture investment event. Media Meet & Greet brought together more than 70 individuals – broadcasters, technology vendors, OTT producers, and consultants – who conducted meetings, and attended talks on the ‘Future of Work’ by John Howkins, ‘Navigating Innovation in Lockdown,’ with Vanessa Vigar, and ‘The Rise of Hyperlocal,’ with Andrew Stirling.

Chris Pfaff moderated The Pub, a convivial session that discussed ‘Streaming or Screaming.’ The event was capped with a live appearance from Los Angeles by noted rock composer, singer and multi-instrumentalist Carl Restivo (Grammy nominated songwriter for ‘Go All The Way’ from the ‘Twilight’ soundtrack, musical director for Tom Morello, Perry Farrell), who performed three solo guitar numbers that he felt were appropriate: Chuck Berry’s ‘Roll Over Beethoven,’ as the event was on the composer’s 250th birthday; ‘Have a Cigar’ by Pink Floyd, as a statement on the music industry, and ‘So Lonely’ by the Police (as we have all been locked down for nearly a year). Over the span of just a few hours, the event was a hopeful, and enlightening, way to end the year and look forward to further such gatherings that smash time and distance and bring connection to an industry that has undergone seismic shifts in an unprecedented year.

You can check out the next events at: www.broadcastprojects.com/media-meet-greet. You can register for the ‘Barcelona Sunrise’ event – from February 15-25 – at: https://ti.to/media-meet-greet/media-meet-greet-barcelona-sunrise-2021

 

Executive producer of ‘Media Meet & Greet,’ Janet Greco, welcomes the audience

Chris Pfaff (upper left) moderates the ‘Streaming or Screaming?’ discussion in The Pub, one of the virtual discussion rooms in the Media Meet & Greet session for the European media industry on December 17, 2020. Joining the session were Vanessa Vigar (upper row, 2nd from left); Andrew Stirling (upper row, 2nd from left); Lee Morin (upper row, far right); Trygve Refvem (middle row, far left); Janet Greco (middle row, 2nd from left); Tracy Swedlow (middle row, 2nd from right); Gilberto Flores (middle row, far right); David Short (bottom row, far left); Benjamin Schwarz (bottom row, 2nd from left); Laura Riggs (bottom row, 2nd from right), Uwe Kühhirt, from Fraunhofer (bottom row, far right)

Carl Restivo (bottom) sings live from LA to end the Media Meet & Greet event; Janet Greco (upper left) and Chris Pfaff (upper right) rock out

 

 

Quickstream introduces Quickstream Cloud – October 28, 2020

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Quickstream™, a leading provider of software-defined, cloud-based solutions for live video, announced on October 28, 2020 the release of its Quickstream Cloud product, the first one-click video cloud exchange for the broadcast industry. The Quickstream Cloud solution is the first live video cloud solution designed for the delivery of broadcast-quality feeds globally to any partner in 15 minutes. It is the first inexpensive live cloud video solution of its kind, and is as easy to use as a shared document.

On a live webinar on launch day, Michal Suchon, founder/CEO of Quickstream, conducted a live demo of Quickstream Cloud features, and engaged in a panel discussion, moderated by Chris Pfaff, that also featured:

  •   Dr. Eric Petajan, principal systems engineer, Video, CV, AI, AT&T
  •   Wojtek Bialek, broadcast manager, Da Vinci GmbH
  •   John Hammond, producer, Property TV (pTV)

Quickstream Cloud acts as a unique live global video exchange network, enabling effective live video contribution in the cloud. As a software-as-a-service (SaaS) offering, customers can sign up, connect with Quickstream Cloud and exchange live content in an instant, on-demand fashion. The product builds on the company’s flagship product, Quickstream Node gateway, which enables broadcasters to design flexible IP workflows and bridge between video infrastructures. Quickstream Node is the most complete IP video signal distribution product on the market, capable of transporting high quality, high-resolution audio/video feeds with minimal latency. Full encoding, decoding, and transcoding support for the OTT market is currently in beta.

 

You can view the full Quickstream Cloud introduction webinar at:

 

 

Michal Suchon, founder/CEO of Quickstream, introduces Quickstream Cloud, and how to create and share a channel

Wojtek Bialek, from Da Vinci GmbH, discusses his use of Quickstream

 

Dr. Eric Petajan, from AT&T, discusses 5G and the cloud

 

John Hammond discusses the opportunity for TV producers using the cloud

 

Chris Pfaff moderates the New York-Krakow-London gathering

 

Chris Pfaff chats with Kadri Ugand, founder of Go Beyond Capital, and co-founder of GameFounders, at Arctic15 Online – October 19, 2020

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Kadri Ugand, GameFounders co-founder and founding partner at Go Beyond Capital, held a 20-minute fireside chat session with Chris Pfaff on Monday, October 19, 2020, the first day of the inaugural Arctic15 Online event. Kadri is one of the leading figures in the global gaming industry, and has developed a keen eye toward growing start-up teams, having invested in 71 studios across 26 countries. She discussed how she applies her expertise to purpose-driven, mindful companies based on environmental, social, governance (ESG).

Kadri Ugand discussed her new fund, Go Beyond Capital, and discussed her investing thesis for GameFounders

Hanne Nuutinen (onscreen) and Laura Vänskä (above, 2nd from left) successfully stage managed and directed the first virtual Arctic15 event

 

VR Theatre and VR Collaboration: Chris Pfaff moderates expert sessions at the 2nd VR AR Global Summit Online – October 1, 2020

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The second VR AR Global Summit Online swapped what would have been Vancouver as a destination for a truly global audience, this time mastering the Hopin platform to greater effect than its June inaugural online effort.

Chris Pfaff moderated two panels at the 2nd VR AR Global Summit Online. The first, ‘Producing in XR: How to Create Unique Stories for Immersive Audiences’ panel, featured Maciej Wisniewski, founder of 99 Cent Opera, Espii Proctor, principal/creative & technical director, Espii Studios, and Michael Owen, CEO of MediaCombo. Maciej showed off more features of his forthcoming Edelweiss, VR, Act 1 (EVR-1), the first blockchain music-driven game of its kind, while Espii discussed her wide range of multimedia performances and story worlds, including spatial sound design. Michael showed off some of his recent work, including a VR installation at the Pollock-Krasner House on Long Island, where he and his team recreated the artistic works and experience of the great artists Jackson Pollock and Lee Krasner.

 

‘Producing in XR’ originally streamed at 10:30 am EST on Thursday, October 1, 2020. You can view it at:

 

The second panel that Chris Pfaff moderated, Collaboration Tools in VR: Developing Virtual Creativity in the Age of Social Distancing,’ featured Kiira Benzing, producer/director of Double Eye Studios, and Jussi Havu, CEO of Glue. Kiira demonstrated her recent ‘Finding Pandora X’ Greek tragedy adapation, which had just been awarded ‘Best Immersive VR Experience’ at the Venice Film Festival 2020. Jussi showed off a new version of what is now the leading collaborative enterprise platform for VR meetings, and discussed Glue’s expansion of its virtual meeting and creativity technology.

 

‘Collaboration Tools in VR’ originally streamed at 11:15 am EST on Thursday, October 1, 2020. You can view it at:

 

Michael Owen shows off some of the impressive XR work that MediaCombo has produced for museums and cultural institutions

Maciej Wisniewski demonstrates the music-driven narrative structure of his VR blockchain game, ‘Edelweiss, VR 1’

Espii Proctor discusses virtual theatre production

Kiira Benzing demonstrates her ‘Finding Pandora X’ work

Jussi Havu demonstrates new features for the Glue collaborative VR platform

Chris Pfaff moderates the ‘Blockchain and TV’ panel at the first TVOT Live! show – September 10, 2020

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TVOT Live!, the First Virtual TV of Tomorrow Show, was held September 8-10 through the Socio platform, and featured a cavalcade of great sessions. As always, TVOT founder Tracy Swedlow managed to draw even more of a global audience thanks to the virtual platform.

Chris Pfaff moderated the ‘Blockchain and TV,’ session on Thursday, September 10th, at 10:00 am EST (and on demand), which examined how blockchain is being used in TV advertising, video encoding and distribution, and in social TV payments.

Alongside Pfaff on the panel were:

• Adam Helfgott, CEO, MadHive

• Jason Manningham, CEO, Blockgraph

• Melanie Mohr, CEO, womprotocol.io & yeay.com

• Halsey Minor, CEO, Live Planet/Strategic Technology Partner, VideoCoin

You can view the session at:

https://app.socio.events/NzIyOQ/Agenda/83788/Session/304777

 

Tracy Swedlow, founder of TVOT, welcomes the virtual audience to TVOT Live!

Promo screen for the ‘Blockchain and TV’ panel at TVOT Live!

Jason Manningham, from Blockgraph (upper left); Adam Helfgott, from Madhive (upper right); Melanie Mohr, from WOM Protocol (lower left), and Halsey Minor, from VideoCoin (lower right) on the ‘Blockchain and TV’ panel

Jason Manningham discusses Blockgraph’s work in the TV space

Melanie Mohr, from WOM Protocol, discusses her global view of the blockchain market for media creators

Chris Pfaff (upper left) guides the discussion on the ‘Blockchain and TV’ panel at the first TVOT Live! virtual TV of Tomorrow Show event

 

MediaKind introduces live immersive 360 production partnership with Tiledmedia and Focal Point VR

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MediaKind, the spin-off from Ericsson that has moved rapidly into the immersive production arena, announced a partnership for live immersive 360 production with Tiledmedia and Focal Point VR on June 17, 2020. Chris Pfaff moderated two live webinar sessions, entitled ‘Accelerating Immersive 360 Live Video in ‘The New Normal’ to announce the partnership (slightly different shows each time). The heavyweight line-up included MediaKind’s own Chris Wilson, director of market development, sports, from London; Rob Koenen, founder/chief business officer of Tiledmedia, from Rotterdam; Jonathan Newth, CEO of Focal Point VR, from Guildford, England, and Chris Pfaff joined from New York.

The sessions included detailed discussion and demos of 360-degree technology and how it enables:

* new interactive consumer experiences through simple, cost-effective and scalable 360-degree-as-a-service deployments

* service providers to connect with audiences and enable impactful, immersive experiences that cut close to ‘being there’

The sessions engaged in deep-dive discussion around live 360-degree content, exploring how it can transform the way in which viewers experience live events in ‘The New Normal.’ Discussion centered around how 360-degree video can be captured, produced, streamed and delivered to enable best-in-market quality for live VR streaming to existing headsets and mobile devices, at the lowest possible bitrates. Various real-life applications of the technology across live sports, theater productions, music events, and concerts were also discussed.

View Session 1 – ‘Accelerating Immersive 360 Live Video in ‘The New Normal’ – June 17th – Session 1 at 10:30 am EST

 

View Session 2 – ‘Accelerating Immersive 360 Live Video in ‘The New Normal’ – June 17th at 2:30 pm EST

 

 

Intro screen (left) and promo post (right) for the ‘Accelerating Immersive 360 Live Video in ‘The New Normal’ webinar

Chris Wilson (second from left), MediaKind, discusses the MediaKind partnership with Tiledmedia and Focal Point VR

Jonathan Newth (upper row, center), shows off a camera rig that Focal Point VR uses for 360 capture

Rob Koenen (lower left) discusses Tiledmedia’s approach to immersive production, while holding up an Oculus Go headset

MediaKind’s VP marketing and communications, Lisa Aussieker (lower right) wraps Session 2